In 40,027 BCE (a time when the average human could only count to five), a grief-stricken Homo sapiens couple adopts a Neanderthal child. But language separates parents and child, only to then separate mother and father--and how do we love when we can't communicate? With that, a mythic journey of danger and sacrifice ensues, to connect to the Neanderthals and to protect the child at all costs. Orphan Song is a heroic tale of clashing cultures and an examination of how the bonds of family are truly formed.

Sean Dixon is a novelist and playwright, co-founder of the seminal 90s Winnipeg physical Theatre Company PRIMUS. His novels include The Girls Who Saw Everything (published in the UK as The Last Days of the Lacuna Cabal) and The Many Revenges of Kip Flynn. His recent plays include Theatrefront's The Orange Dot, (which Toronto Star's Karen Fricker called a "finely nuanced observation of male-female interaction ... that is part triumph, part tragedy of wronged, vengeful women"), Blyth Festival's The Wilberforce Hotel (published by Scirocco, about a short-lived African American settlement in 1830's Ontario) and Tarragon Theatre's 'A God in Need of Help' , based on the true story of four strong men who were forced to carry a painting over the Alps in the early 17th Century (GG nominated for best new play). Upcoming is a play for the Tarragon (Orphan Song) about two different species of early humans involved in the elemental experience of adoption, and a children's picture book about a kid making a family tree.

Sean Dixon's profile page