From award-winning poet Catherine Owen, a collection of poems about one woman's journey from BC to a new life in Alberta, where she buys an old house and creates a new meaning of home.

In search of stability and rootedness, in 2018 Catherine Owen moved from coastal Vancouver to prairie Edmonton. There, she purchased a house built more than one hundred years earlier: a home named Delilah.

Beginning from a space of grief that led to Owen's relocation, the poems in this collection inhabit the home, its present and its past. These poems share the stories of decades of renovations, the full lives of Delilah's previous inhabitants, and Owen's triumphs and failures in the ever-evolving garden. The poems ultimately whirl out in the concentric distances of the local neighbourhood and beyond -- though one house can make a home, home encompasses so much more than one house.

In this exceptional and lyrical collection, Catherine Owen interrogates her need for economic itinerancy, traces the passage of time and the later phases of grief, and deepens her understanding of rootedness, both in place and in poetic forms.

Catherine Owen lives in New Westminster, BC. She is the author of ten collections of poetry, among them Designated Mourner (ECW, 2014), Trobairitz (Anvil Press 2012), Seeing Lessons (Wolsak & Wynn 2010) and Frenzy (Anvil Press 2009). Her poems are included in several recent anthologies such as Forcefield: 77 Women Poets of BC (Mothertongue Press, 2013) and This Place a Stranger: Canadian Women Travelling Alone (Caitlin Press, 2014). Stories have appeared in Urban Graffiti, Memwear Magazine, Lit N Image (US) and Toronto Quarterly. Her collection of memoirs and essays is called Catalysts: Confrontations with the Muse (W & W, 2012). Frenzy won the Alberta Book Prize and other collections have been nominated for the BC Book Prize, ReLit, the CBC Prize, and the George Ryga Award. In 2015, Wolsak & Wynn published her compendium on the practices of writing called The Other 23 and a Half Hours or Everything You Wanted to Know That Your MFA Didn’t Teach You. She works in TV, plays metal bass and blogs at Marrow Reviews.

Catherine Owen's profile page

[Moving to Delilah's] pages bleed with vulnerability, personal anecdotes, snapshots, and amassed moments of her journey to Edmonton. There is a strong feeling of tenancy you experience as a reader — you nestle into a habitat you do not own, but you are rewarded from the foundations made by its owner."

Rat Creek Press

"Owen's poetry is bracingly self-aware and without illusions…. the poet.s ironic awareness of the absurdity of much human life, which she is content to point out without rancour, is always balanced by a humane acceptance of all its diversity."

BC Review