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A Tale of Monstrous Extravagance

Imagining Multilingualism

by (author) Tomson Highway

Publisher
The University of Alberta Press, Canadian Literature Centre / Centre de littérature canadienne
Initial publish date
Jun 2015
Subjects
General, Essays
Categories
Author lives in Quebec , About Indigenous People or experiences
This eBook meets EPUB Accessibility 1.0 specification and W3C Web Content Accessibility Guidelines (WCAG) 2.0 A, at a minimum.
  • eBook

    ISBN
    9781772120691
    Publish Date
    Jun 2015
    List Price
    $12.99

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Description

“Speaking one language, I submit, is like living in a house with one window only...”

From his legendary birth in a snow bank in northwestern Manitoba, through his metamorphosis to citizen-artist of the world, playwright, pianist, polyglot, storyteller, and irreverent disciple of the Trickster, Tomson Highway rides roughshod through the languages and communities that have shaped him. Cree, Dene, Latin, French, English, Spanish, and the universal language of music have opened windows and widened horizons in Highway’s life. Readers who can hang on tight—Highway fans, culture mavens, cunning linguists, and fellow tricksters—will experience the profundity of Highway’s humour, for as he says, “In Cree, you will laugh until you weep.” Introduction by Christine Sokaymoh Frederick.

About the author

Tomson Highway was born near Maria Lake, Manitoba in 1951. His father, Joe, was a hunter, fisherman and sled-dog racer, and his family lived a nomadic lifestyle. With no access to books, television or radio, Highway’s parents would tell their children stories; thus began Highway’s life-long interest in the oral tradition of storytelling. When he was six, Highway was taken from his family and placed in residential school in The Pas; he subsequently went to high school in Winnipeg and then travelled to London to study at the University of Western Ontario, earning a music degree in 1975 and a Bachelor of Arts degree in 1976. Instead of becoming a professional concert musician as he had at one point contemplated, however, Highway decided instead to dedicate his life to the service of his people. Fluent in Cree, English and French, he was for six years the artistic director of Native Earth Performing Arts, the first and most enduring Native professional company in Canada which he also helped found. From 1975 to 1978 Highway worked as a cultural worker for the Native Peoples’ Resource Centre. He has worked for the Ontario Ministry of Citizenship and Culture and also for the Ontario Federation of Indian Friendship Centres as a program analyst. From 1983 to 1985 he worked as a freelance theatre artist before becoming the artistic director of the De-ba-jeh-mu-jig Theatre Company in 1986. He has been writer-in-residence at the University of Toronto, University of British Columbia, and Concordia University. Tomson Highway is widely recognized for his tremendous contribution to the development of Aboriginal theatre in both Canada and around the world. In 1994, he was inducted into the Order of Canada, the first Aboriginal writer to be so honoured.

Tomson Highway's profile page

Editorial Reviews

"An incomparable storyteller with a knack for exaggeration so deft you'll think he's telling the truth, Highway elaborates on how he added Dene, Inuktitut, Latin, English, French and some Spanish to his lexicon.... Learning new languages later in life is difficult, but let the power of language broaden your world, Highway encourages. Appreciate that multilingualism can hold this stunning country together--and give your children this gift, too." Dianne Meili, Alberta Views, September 2015

"Tomson Highway‘s 2014 Kreisel talk...is a brief life story with a point to make: learn languages. He himself began life with Dene and Cree, picked up some Inuktituk, went on to learn Latin and French at boarding school, then English at highschool in Winnipeg, then more French and some Spanish while living in France with his partner for 13 years. And music. With words that range from professorial ('entailed') to mundane ('butt-freezing'), he sets a lively tone to make his case." [Debra Martens [Full review at https://canadianwritersabroad.com/2018/10/31/tell-us-a-story]

"...a humourous tour through the languages and communities that have shaped the playwright, novelist, and musician as a person." January/February 2015

Quill & Quire